Fluid Pictures Inc.

Stabilized head · ARRI

Stabilized HeadsStabilized head rental

Two Fluid Pictures ARRI stabilized remote-head camera systems in an arena

Our active-stabilized remote heads take the shake and bounce out of the shot when the rig is moving fast. Full wireless control, on a dolly, crane, towercam, vehicle, or whatever else is moving the camera.

Active stabilization
Full wireless
360° continuous pan
LA & worldwide

Overview

What it is.

A stabilized remote head takes the shake and bounce out of the camera while the rig under it is moving. We have the ARRI SRH-360 and the FoMa Antares, both with full wireless control, and we put them on our dollies and towercams, on telescopic cranes, and on vehicles. Every head goes out with the required technicians.

Type
Active-stabilized remote head
Models
ARRI SRH-360, FoMa Antares
Stabilization
Active
Control
Full wireless
Pan
360° continuous (SRH-360)
Roll
Full 360° (Antares) · 90° each way (SRH-360)
Mounts
Dolly, telescopic crane, towercam, vehicle

The heads

Two stabilized heads

Both take out shake and bounce on the move, with full wireless control.

ARRI SRH-360

Active-stabilized head with 360-degree continuous pan, 90 degrees of roll in each direction, and full wireless control.

Stabilization
Active
Pan
360° continuous
Roll
90° each way
Tilt
+60° / -110°
Control
Full wireless

FoMa Antares

Active-stabilized head with true 360-degree roll. It fits longer camera builds without restricting tilt.

Stabilization
Active
Roll
Full 360°
Tilt
+60° / -220°
Control
Full wireless

Use cases

When you need one

On the Agito

Keeps the shot smooth while the Agito runs through talent and audience at speed.

On telescopic cranes & towercams

Perfect on a telescopic camera crane or a towercam, taking out the bounce through the move or the rise.

Fast, dynamic moves

Keeps the shot smooth when the rig is moving hard, indoors or out.

On air

Stabilized heads on set

ARRI SRH-360 stabilized head on top of a towercam column in a stadium
ARRI SRH-360 on a towercam
ARRI SRH-360 stabilized head riding the Furio robotic railcam beside an arena concert stage
ARRI SRH-360 on the Furio
Furio rail camera and ARRI camera system on the American Idol stage
ARRI on the Furio · American Idol
ARRI SRH-360 stabilized head with the Rock & Roll Hall of Fame Induction 2025 screen behind it
ARRI SRH-360 · Rock & Roll Hall of Fame · 2025
ARRI SRH-360 stabilized head riding the MagTrax Agito along the seating at the Greek Theatre
ARRI SRH-360 on the Agito · Greek Theatre
FoMa Antares stabilized head riding the Furio railcam on the American Idol set
FoMa Antares on the Furio · American Idol

Drawings

Dimensioned drawings

Dimensioned drawing of the ARRI SRH-360 stabilized remote head, shown front and side with overall width and height in inches and millimetres
ARRI SRH-360
Dimensioned drawing of the FoMa Antares 11 stabilized remote head, shown front and side with overall dimensions in inches and millimetres
FoMa Antares 11

FAQ

Common questions.

What is a stabilized remote head?

A stabilized remote head actively takes the shake and bounce out of the camera while the dolly, telescopic crane, or towercam it rides on is moving.

Which stabilized heads do you rent?

The ARRI SRH-360 and the FoMa Antares, both with full wireless control.

Does the ARRI SRH-360 pan continuously?

Yes. The SRH-360 offers 360-degree continuous pan.

Are the heads wireless?

Yes. Both the ARRI SRH-360 and the FoMa Antares run with full wireless control.

What's the difference between the ARRI SRH-360 and the FoMa Antares?

Roll and build length. The FoMa Antares has a true 360-degree roll and fits longer camera builds without restricting tilt. The ARRI SRH-360 rolls 90 degrees in each direction.

Book it

Which head do you need?

Tell us what the head is riding and how hard that rig moves. That decides whether we send the SRH-360 or the Antares.